Board game design: Three ideas inspired by heist movies

I tend to have ideas for game mechanisms most days – and of course most of them are terrible. Others hang around long enough without being dismissed for me to want to write them down, while still fewer make it from my phone’s note-taker app into my ideas document at home.

These few borderline cases kind of shared a heist theme, so I thought I’d write about them here just in case anyone else can make something useful out of them. Maybe I’ll get round to them, maybe I won’t – or maybe they’re terrible after all. They’re far from fully formed too, but maybe they’ll inspire someone.

batman jokerA co-op with evolving roles

The first idea came to me when watching the Batman movie where The Joker is getting all the people involved in the heist to kill each other off once their particular job is complete – but could equally be applied to any fast moving and dangerous situation. The game would be a co-op (although wouldn’t need to be, I guess) in which every character starts with a roll – in this example it could be the muscle, the safe cracker, explosives expert etc.

As the game goes on, players will need to decide when to change to their other roll – perhaps the getaway car driver, the van driver carrying the lot, the guy causing a road block/distraction, or tampering with traffic lights. Once you switch roll your old character is still in play, but becomes a hindrance – slowing down play and getting in the way.You’ll get a better final score if you get everyone home, but can you succeed while dragging along this dead weight…

Safe-cracker

In my mind this is a very simple mechanism requiring two players that would be used in a role-playing type scenario – say in our co-op heist game above. Both roll the same amount of dice of different colours, lets say three – red, blue and green – but one of them roles them behind a screen. The person playing the safe-cracker has to match their dice, by colour and number, to those rolled behind the screen.

The safe-cracker would’ve been able to spend skill points on raising their skill at the start of the game – with each point letting the second player give them a clue (say, ‘blue higher’). The safe-cracker can opt to change any dice as much as they likes, then asks if they have the right number for each dice. The player with the dice behind the screen will say ‘higher’, ‘lower’ or ‘cracked it’ for each dice – and then the safe-cracker goes again. Each failed attempt will use up time units.

Lie detector

This feels more like a party/werewolf-style game idea, where one (or maybe two) of the players are questioning suspects and trying to get to the truth. The potential felons all have a few parts of the story, which could potentially save their skin – but of course one of them did it (and knows it).

The questioners will have a limited time scale to grill the suspects for information, and will then have to decide who to charge – you could even have people in different rooms. The suspects can give up as much info they like, or lie as much as they like, to try and work out who did it or just frame someone at random. Maybe one of the questioners could have a preferred victim to throw to the wolves – or a prisoner could be under cover…

Happy & poor: One month into ‘game design Mondays’

Go Play Listen business card 2015I started my attempt at making a living from my hobby six weeks ago (initial aims here), so thought I should post an update on the early progress.

It’s been an odd start as there have been three Bank Holidays in the first six weeks, meaning I haven’t had full days off from my ‘real’ job. But while frustrating, I have made progress.

First up, business cards (pictured). While a little pricey these seemed like a good idea, as I’ve been asked for them quite a bit – especially at Essen – and they seemed like a strong statement of both intent and professionalism.

The website

I spent my first couple of weeks researching and then actioning my transition to my own domain for the blog, which was a lot less hassle than I’d feared. Having sourced a good amount of feedback I went with TSO Host and everything has gone well so far.

Next I signed up with the UK Gaming Media Network (linked on the right) and created a logo that fully reflected my site’s shift in emphasis to almost 100% board games. It felt important to get the ground work up and done early, and it feels like a gaming site now – but is there anything more I can/should do? Any feedback welcome.

While I’m yet to have any success with sponsorship or similar, I’ve recognised the fact that ‘income’ in terms of the site doesn’t need to be in the form of actual cash. Clutching at straws? Maybe, but I’ve already received a free game to review (and a good one) and a press pass for an event I would’ve had to pay to get into, which between them have more than covered the cost of the business cards and the hosting for the year. It’s a start!

Unfortunately several other publisher approaches have met with deaf ears, but I’ll persevere – at least one is looking hopeful if I can get my rankings up (and that’s happening). And while I haven’t yet looked into AdSense (not that I’m getting the traffic to make much money), otherwise I think I’m making good on my initial goals.

Game design

UK Games ExpoWhile I’ve made a few small inroads into two new games – one collaborative and one of my own – new design work has largely been on the back burner due to some positive feedback from a publisher on a game I was pushing last Essen.

This is potentially great news, and at worse good news – so either way it’s a positive.

It would obviously be great to get the game signed, but even if it doesn’t happen the work I’ve been doing on it over the past few weeks has really improved it. I’d be much more confident putting it in front of other publishers in future if this one doesn’t bite.

The lack of progress on other titles is frustrating, but its easy to forget just how long game design takes – and how much writing up is as much as experimenting, especially in colaboration: doing it in this kind of programmed environment really brings that home. When I was just tinkering it was something I did of an evening without a care for what was really achieved. Now I’m on the clock I’m realising just how long something like writing rules or cutting out some cards really takes!

I’ve also realised I need to get more organised: get a list of game ideas, with a sense of each one’s progression and what I feel I should be prioritising. But also a list of publisher contacts, with an eye for already starting to think about a strategy for Essen.

But before then there’s just a few weeks to go until the UK Games Expo, so I need to really prepare for that – both in getting a prototype ready in case I get in on the play-test area and seeing about starting to build a network of contacts. While it isn’t yet the kind of internationally important event it could one day be, it’s the best the UK has to offer and I’d be foolish not to see it as a big opportunity.

So all in all it feels like these are exciting times and – so far – I’m glad I took the decision to try this out. I’ll check back in at the end of the quarter.

My top 50 board and card games (2015 update)

Here we go again – nine new entries since last year’s début top 50 alongside plenty of ups and downs between top and bottom. I’ve kept the same format, except I’ve wittered on even more, so without further gibber jabber…

My Top 20 board and card games 2015 (last year’s position in brackets)

  1. Race for the Galaxy(1) Race for the Galaxy (2007) While my plays of this have dropped dramatically after I stopped attending my old regular midweek group, it still sits comfortably at the top of the tree. You may need to be tied to a chair and forced to play 10 games before you really ‘get’ it, but it is absolutely worth it.
  2. (3) Terra Mystica (2012) I have played some good medium/heavy euros over the past year, but none of them have come close to Terra Mystica. Pasted-on theme aside, this is a masterful mix of strategy and tactics that’s chock full of meaningful decisions from start to finish.
  3. (4) Ticket to Ride (2004) Thanks to its many maps adding just enough variety and rules tweaks to keep things interesting, Ticket to Ride remains my gateway game of choice. Few games can be so easily taught, then played while chatting, but still give you the feeling you’ve been doing something competitive.
  4. (2) Ra (1999) Like Race, my plays of Ra have dropped off since leaving my midweek group and, thanks to not feeling quite so satisfying in plays since, it has dropped a couple of positions. Three-player is its sweet spot for me and I just don’t enjoy it as much with four or five – which is how I’ve played most recently.
  5. (-) NEW Deus (2014) The stand-out game of 2014 for me, by miles. This is in a similar place for me as Race for the Galaxy, being tactical and card driven and playing out in under an hour and having several routes to victory. But it has a much lower barrier to entry, meaning it is easier to get to the table.
  6. (20+) Endeavor (2009) A big jump for Endeavor, which had been a little forgotten in 2013. I’ve had three hugely enjoyable games since and it is firmly back in the rotation, being enjoyed by everyone in my weekend group. It always feels too short, but that in itself adds to the excitement. And it can be really cut-throat.
  7. (6) The Downfall of Pompeii (2004) Gateway game number two – and the only thing holding it back from more plays is the fact it’s limited to four players. The switch in game style half way is genius and works brilliantly, moving from placement to mayhem and murder on one fun little step.
  8. (20+) The Castles of Burgundy (2011) Castles has risen to the position of number one Feld design on the list by dint of being one of Zoe’s favourites. It plays pretty fast for its weight, while two-player it feels very tactical as well as strategic. While a bit of a point salad, importantly it always feels like the best player on the day won.
  9. (8) Copycat (2012) While not the most popular game on this list, I enjoy the way Copycat uses mechanisms I love from other great games and really makes them compliment each other. It plays fast but also thinky, having a great mix of luck, strategy and tactics that I keep wanting to come back to.
  10. (5) Tzolk’in: The Mayan Calendar (2012) While Castles and Endeavor have jumped up the table due to working in my regular groups, Tzolk’in has fallen a little for the opposite reason: some simply find it frustrating and it can be very punishing score-wise if you play poorly. But I’m still a big fan, so it’s staying in the top 10.
  11. Deus box(9) Through the Ages (2006) While I still really enjoy my plays of Through the Ages, I find the power of military in the game a little frustrating at times – but not as much as my inability to be any good at it! Still my favourite three-plus hour game, but there is definitely room in my life now for its successor.
  12. (14) Snowdonia (2012) While a few euros tumbled a few places due to tough competition (see below), Snowdonia has held its own thanks to the variety of tracks and its simply ingenious ‘game plays you’ mechanisms. The weather constantly ruins my life, players steal MY actions and I love it every stinking time.
  13. (20) Pizza Box Football (2005) I’ve had two more plays since last year’s top 50 – one an epic, crushing defeat and the other a close defeat after an oh-so-close onside kick failure. Both games were epic in their own way and no matter how stupid this game may be, it never fails to deliver.
  14. (16) Twilight Struggle (2005) I now own my own copy of this classic, but sadly it has only been played once – must try harder. I’m hoping I’ve found a regular playing partner, but h wasn’t 100 per cent convinced after our first play. But as this is a proper cold war card play classic, I’m sure someone else will step in if need be.
  15. (-) NEW Bora Bora (2013) I skipped this on its release as it looked like a day-glo dog’s breakfast, but one play and I was hooked. The dice mechanism is worth the entrance fee alone, but the agonising decisions of which bonuses to give up on as you move forward really makes it shine.
  16. (11) Notre Dame (2007) Despite being relegated from first to third Feld, I still love me some Notre Dame. Card drafting is a mechanism I love in theory but in truth this is the only game I own that really uses it well. And it plays fast, every decision counts, and you’ve never got quite enough to do exactly what you want.
  17. (-) NEW Navegador (2010) I’m not sure quite where Navegador will end up in the long run, but right now it is my favourite Mac Gerdts game. It’s super crunchy and right now I’m enjoying that – but the jury is out on whether it will become too dry or just right. I love that rondel, but it clearly hates me!
  18. (17) Can’t Stop (1980) The 80s are still being represented in the top 20 by this evergreen push-your-luck classic. Zoe thrashed me in our last two games but I still thoroughly enjoyed myself. I’m not sure hat says more about me or the game, but either way I’m still smitten by this daft family game.
  19. (7) Concordia (2013) Gerdts’ momentary meander away from his beloved rondel is still a game I love, but it isn’t drawing me to the table quite as much as it was a year ago. I still enjoy the tricky decisions you are forced into each round, but it may be a little too dry and a little too solitary to keep a place in my top 20.
  20. (13) The Manhattan Project (2012) The great integration of theme  and the clever, edgy worker placement have kept this in the top 20 despite me only getting it to the table once since last year’s top 50. And people like it too – what have I been playing at? A game that may well bounce back up in next year’s list.

21-30 (alphabetical)

  • Archaeology The Card Game boxAcquire (1963) A steady hold for Acquire, which I still can’t believe is as old as it is and remains the granddaddy of the list. Luck, clever play and speculation all play their part in this light economic gateway game.
  • Archaeology: TCG (2007) A big two-division jump for this, which didn’t look likely a week or two ago as it hadn’t been played for ages. But a few funny, swingy games have reminded me just how good, light and fun it is.
  • Ingenious (2004) A drop from 12 for Ingenious, largely due to a lack of plays over the year. Still a favourite for sure and one that may head back up the chart if I find others who like to play more regularly.
  • Maori (2009) A one division jump for Maori, whose tile-laying charms continue to entice me despite my regular ineptitude at the game. Simple to teach, tough to master – well, it is for me anyway! The fourth and final Feld on the list.
  • Merchant of Venus (1988) A big drop from 10 for Merchant of Venus, again due to lack of plays. I love it, but not enough to set it up! I can’t help thinking a shiny new version may break that but I can’t justify pulling the trigger…
  • Port Royal (2013) A hold for Port Royal, although it is teetering on a division drop. I still enjoy it but almost feel as if I’m waiting for a slightly better push-your-luck card game to come along. Right now, Archaeology (above) has edged ahead of it.
  • Reiner Knizia’s Decathlon (2003) A small jump for this free Knizia game as I now tend to enjoy it a little more than Pickomino (below) if Zoe and me decide to go head to over the dice tower. I still mostly lose, but hey – that’s dice.
  • Rosenkönig (1997) A small drop from 15 for this fascinating two-player abstract, but nothing really to worry about. The thrill has gone a little now that I’ve finally found my own copy, but I still get a kick out of it when I get to play.
  • The Boss (2010) The Boss is hanging in there, no problem. I’ve played with several groups over recent months and everyone has been that great blend of initially baffled, then delighted, then crushed once more as they get their head around it.
  • NEW Yspahan (2006) Nine years old, outside the top 250 and I’ve never seen it on the table anywhere else – but it has captured the imagination with everyone I’ve played with so far. A very clever design and I look forward to exploring it more.

31-40 (alphabetical)

  • Alhambra 004Alhambra (2003) The expansions are definitely keeping Alhambra fresh for me, pushing it up a division by giving a new lease of life to this classic tile buying/laying game. I’m not sure the original on its own would still be in the top 50.
  • Brass (2007) A drop in division for Brass, simply due to lack of plays. My opinion of the game hasn’t changed: its one of the best heavy euro games out there. But the fact I haven’t played it for months has to say something. It may well rebound up.
  • CV (2013) This is another title that’s expansion has helped it up a division, but its charm is still very much in tact either way. The Yahtzee style dice mechanism fits the theme really well, while the cards just pile on the charm.
  • Kingdom Builder (2011) The Android app of Kingdom Builder has helped it hold its own, as I haven’t played the ‘real’ version much. I’m still terrible at this clever and quick area scoring game, but love it all the same – even without expansions.
  • Macao (2009) I think Macao has largely dropped a division under the pure weight of Felds and other good euros. My opinion of it hasn’t dropped – its more that games are just slotting in above it in the medium weight category.
  • NEW Manhattan (1994) With three games under my belt now, this is now in my ‘must buy’ category. Fast, nasty, light on rules and deeply table talk inducing, it succeeds despite looking bloody awful and having no theme. A true classic.
  • Manila (2005) Manilla holds its own thanks to no other game I’ve played so perfectly blending the betting and racing genres. Lots of luck, sure, but also lots of interesting decisions to make each round.
  • NEW Oltre Mare (2004) This turned out to be a great acquisition, taking the ideas of Bohnanza and adding more strategy, some nastiness and more real thinking to the mix. Must… stop… thinking… about upgrading my perfectly adequate copy.
  • Pickomino (2005) Another hold, this time for one of Zoe’s favourites. We don’t play as often as we used to, and the chicken gods still hate me, but you can’t beat the look on Zoe’s face as she crushes me again and again. And again.
  • Power Grid (2004) Oddly this has gone up a division despite very few plays over the last year – where Brass has fallen for the same reason. I think they’ve found their level – I was just newer to Brass this time last year and a little jaded on Power Grid.

41-50 (alphabetical)

  • Ancient Terrible ThingsNEW Ancient Terrible Things (2014) Despite being a year older I’d still reach for CV before ATT, hence its lowly position here. But I do very much enjoy it and look forward to exploring its dice-rolling Cthulhu goodness more throughout the year.
  • Basari (1998) Basari has dropped two divisions largely due to a few lack lustre games, which have seen some of my friends fail to get into it at all. I’m still keen, but everyone needs to be on board to make this negotiation card game truly shine.
  • NEW El Gaucho (2014) Six months ago this clever dice/set collection game may have made the top 20, but multiple plays have become a trickle. Played out? Maybe, but its still in the 50 because I think a break will be enough to reinvigorate it for me.
  • NEW Johari (2014) While I love Johari’s mix of gem collection, action cards and turn order manipulation others have been less enthusiastic. I would rate this game higher if I could find some enthusiasm for it in others when we play!
  • Nefertiti (2008) This unique and clever bidding game has dropped down a division purely due to a lack of really fun plays. The game isn’t at its best with two and, like Basari, I’ve struggled to get it played with the right group of people.
  • Puerto Rico (2002) The game that just beat the drop. While I still very much enjoy a play it rarely rises to the top of the pile now and sometimes plays out very poorly, even with people who enjoy the game. A classic, but for me a slowly fading one.
  • Stone Age (2008) Anther ‘I love it but others fail to share my enthusiasm’ game. I like the random element and big points of this classic worker placement game, but it either baffles or bores most of my gaming pals. A big drop from number 19.
  • Thebes (2007) Another big drop, this time from 18, but for more gamerly reasons. I still enjoy a game of Thebes, but you can’t escape the fact that despite it being thematic there is far too much randomness for it to be a ‘good’ game. But I like it…
  • Tikal (1999) A two division drop for this great area control game, largely because it feels too long – while the ‘mini’ version we tried was too short. I’ll always enjoy it in the right mood, but not often enough for it to stay in my own top 30.
  • Uruk (2008) Another falling from the top 30, Uruk will always be in my collection but is fading a little because of its lack of variety; something that will never be fixed now that the inferior reprint has come along. Still great, but now just occasionally played.

The new entries

As you can probably tell, I didn’t think too much of 2014’s new releases. There was some real nonsense (Imperial Settlers and Madame Ching in particular), a massive pile of ‘OK’ games (Mad King Ludwig, Imperial Assault, Splendor, Star Realms, Istanbul, Mangrovia etc etc), one that flattered to deceive (Dead of Winter) and some that may yet make the grade (Roll for the Galaxy in particular) – but overall, I think it was a ‘meh’ year.

There were still nine new entries into the top 50 this year – but five of them were older games. Bora Bora was 2013, so is hardly old, but the likes of Manhattan, Yspahan, Oltre Mare and Navegador continue to show me there are decades worth of gems out there still waiting to be discovered and that I should never judge an old game by its cover (or nasty pink and pale blue pieces!).

Out of the 50

  • Blueprints box contentsArkham Horror (2005) This was replaced by Dead of Winter earlier in the year – but after a few plays of that I came to the conclusion that Ameritrash games like this simply aren’t for me: too fiddly, too luck dependent, too ripe for a poor experience.
  • Blueprints (2013) A good game for sure, but it very rarely hits the table – making it hard to justify leaving in my top 50. I have no intention of getting rid of it though.
  • Bruges (2013) This burned brightly for a short time, but in the end the level of luck/frustration just outweighed the fun factor for me and it disappeared from my wishlist. I’d play it more, but don’t want to get my own copy.
  • Cards Against Humanity (2009) Another game I’m glad I own, and will play when the time is right, but that isn’t very often and in truth its just  bunch of rude words on some cards with a borrowed game mechanic. Top fun, but not top 50 material.
  • Escape From Atlantis (1986) This is another game I’ll play any time, and am happy with my £1 charity shop copy, but I need to play with some variants to really find its sweet spot. I like it, but it isn’t in the same league as Pompeii, for example.
  • Hamburgum (2007) Again, still a great game – but Navegador simply replaced it in this top 50 as the Gerdts rondel game of choice. Having more than one on the list felt like overkill, especially with Concordia on here too.
  • Le Havre (2008) I played this at the weekend, enjoyed it again, and even won – but it has fallen from my wishlist. For me the games goes just a little too long to fall in love with – the decision space gets a little too big, it becomes work, and I struggle.
  • Rialto (2013) Having had an enjoyable game of this over the weekend it almost snuck back onto the list, but like Blueprints I just find it a little hard to love. Fun on occasion, and very clever, but not quite a classic.
  • Revolution! (2009) Like Blueprints, a lack of plays has seen this fall below the 50. It’s a very silly, luck riddled game that I enjoy immensely despite its flaws but it needs three to play and just never seems to be the best choice available.

Top 50 potential

Red7Entdecker, Caverna, Age of Empires III, Africana and Lords of Vegas (both now owned), Sentinels of the Multiverse and Amun Re all impressed me after a single play.

They are all games I look forward to exploring more – hopefully sooner rather than later.

Roll for the Galaxy has been fun so far but the jury is definitely out. Maybe its too close to Race to make a big enough impression yet, but it has potential. Red7 I have enjoyed too, and own, but need to play more before deciding just how much I like it. But until next year… I’m out.

Shameless board game podcast self promotion ahoy!

me me meThis is a tad overdue, but I’ve been on a couple of podcasts over recent months that I really should’ve given a plug – so here goes.

First up was my début appearance on The Game Pit, A UK show all about board games, card games and tabletop gaming.

It’s a great podcast which I hope to be on again in the not too distant future. I was on ‘Episode 40 – Council Chamber Mega Review of 2014‘ in February with hosts Sean and Ronan, plus contributors Teri, Nathan and Paul. We all picked our board gaming highs and lows of last year and I thought it all turned out pretty well.

Also in February I was honoured to be the first ‘special guest’ on relatively new podcast The Cardboard Console. I expect the fact I met hosts Matt and Andrew at my local game group probably helped, but it doesn’t take away from the fact its a really good show.

The usual format sees them cover both computer and board/card games, as well as a section on anything from TV shows to apps to weird fighting disciplines I’ve never heard of. Episode 15 was largely about the design and publication process of Empire Engine, but I did get to witter on about Deus, Divinity: Original Sin and Person of Interest too.

Both shows are on iTunes and if you like board game podcasts you should certainly check them out; its really nice to hear a growing podcast voice from the UK. Both shows are also covered in my ‘Guide to board game podcasts‘, which covers all the best shows out there (and some crappy ones too, just for balance).

If you’ve got your own podcast I’d love the chance to spout off on it. I’ve got the interwebs, Audacity installed, a reasonable mic and an opinion on everything – you know where I am!

Reclaiming Mondays: Board game design and website targets

creativity is intelligenceI recently wrote about going to a four-day week to pursue my ambition of making money out of the things I enjoy doing creatively – or at least helping ends meet enough to get by. This becomes a reality this week: as of April 2015, this chapter begins.

In the past I’ve found listing my goals and challenges here to be a real motivator because even if no one else reads/cares about them, I know they’re here. So what better way to start the project than with some objectives and ideas?

Monetising the website

This may seem a little pie in the sky, but even if I can get a small regular income it could make a difference. And this doesn’t have to be as straightforward as cash in hand:

  • Explore possible sponsorship: As the site is now getting more than 2,000 views a month it would be great to get a relevant banner ad or two up here – maybe a store.
  • AdSense: It also seems sensible to get an unobtrusive Google ad panel on here too, as such clearly targeted traffic has to be worth something.
  • Explore my own domain name/hosting: What can I do in terms of advertising while this is still a free WordPress site? Do I need my own URL to up my game?
  • Review copies: If I can get publishers to send me games, I can review newer titles and get more views – while free games equals competition prizes, sale items etc.
  • Get more into the community: Who else is out there? What can I join, share links with, bounce ideas off? How do I extend my reach while making friends?

Game design

2015 has started slowly on the design front , but I feel I’m starting to get my mojo back. We’ve been sent the contract for game number two (hopefully a 2016 release) which I hope proves Empire Engine wasn’t a fluke, so again it’s time to kick on:

  • UK Games Expo: I need to see if there will be any opportunities to sit down with publishers, or with prototypes, at the event. May have left this too late.
  • Push War!Drobe: I put this in front of a few publishers at Essen 2014 and didn’t get a bite, but I think its good enough to make the grade so I need to go again with it.
  • Take the lead on collaborative projects: I’ve started on games with both Matthew Dunstan and David Thompson in 2014 and need to get back on track with them.
  • Empire Engine 2.0: I have an idea. I have a theme. I have enough to start fiddling with a prototype – so it’s time to get it made and to the table.
  • Football prototype: A good action-based football game is possible, I’m sure of it. It’s time to take my initial thoughts to the next level.
  • Revisit my old ideas: I’ve had ideas that have either gone into notebooks or been dropped after early failures. I know more now, so they’re worth another look.

Right – better get on with it then. As always, any and all feedback is most appreciated.

Essen guide: Travel, hotels and Essen Spiel itself

Essen 2015 logoEvery year tens of thousands of gamers descend on the German city of Essen’s huge ‘Messe’ convention centre for its annual celebration of all things board gaming, the Internationale Spieltage – or Essen Spiel to most English speakers.

As the biggest board game convention in the world* people travel from across the globe to visit it – many for the first time. If you’re one of them, especially if travelling from the UK, hopefully this run-down will give you some useful tips.

Go: Travelling to Essen

Essen trainsBy air: Unfortunately Essen doesn’t have an international airport, so unless you intend to fly in by light aircraft you’re going to be looking at arriving in Essen by train.

Düsseldorf International Airport is a 40-minute train ride from Essen, with regular flights arriving from Europe (including Birmingham and Manchester). Cologne is also less than an hour by train, with Dortmund about two hours from Essen.

By rail: Seeing as you’re going to have to get on a train anyway, another solid option (especially from the UK) is to go via Eurostar. Brussels is just over two hours from London Kings Cross, which has occasional direct trains to Essen and a regular service to Cologne (three to four hours more). I personally use the SNCF site to book tickets.

This is now my chosen mode of transport. While five hours on the train sounds like a lot, you need to remember you don’t have to be at the Eurostar terminal as early and there’s no waiting for luggage as you have it with you – and far fewer luggage restrictions. If you have a few going, you can book a table too – and game all the way!

By road: If you intend to pick up so many games that rail or air won’t cut it, or if you simply like driving, jumping in the car is of course an option. You have to be 18 to drive in Germany and (of course) abide by its road regulations but I’m reliably informed that it is an easy country to drive in.

This also then gives you the option to stay a little further from the Messe itself, as well as the option to drive to in each day (perfect for those who drag a pallet truck, with pallet, around all day). Parking (5,000 spaces) is just five minutes from the halls, costs five euros, and you can stay as long as you like (pay in cash as you exit).

Stay: The city and accommodation

It’s fair to say that while Essen isn’t the most appealing city you’ll visit, it’s very welcoming to the annual invasion of the gaming community.

On the plus side the city centre is compact and the railway station is at its heart. It has a good number of shops and restaurants and an inability to speak German isn’t much of a hurdle.

On the downside, it has very little to offer the tourist – this is not a convention I’d suggest bringing a non-gaming spouse to, unless you stay outside of Essen (see below) or book a very good hotel indeed (and they like staying in).

But again on the plus side, one of the main roads joining the town centre to the Messe, Ruttenscheider, is now a real hub of bars, cafes and restaurants. From the trendy to the Irish to the traditional, there’s a bar along here for everyone.

If you are from the UK and staying in Essen itself, its worth popping into the town’s Toys R Us just to get jealous of the kind of things the average German can expect to find in a normal toy shop!

Near the Messe: If you’re just here for the games, have a good budget and get your booking in VERY early indeed, there are several large hotels in close proximity to the Messe itself. You will be a good 30-minute walk from the town centre, but there is a regular metro service (just four stops on the U11) which will get you there in just a few minutes.

The Atlantic Congress Hotel is practically on the Messe’s doorstep, while several others are within a very short walking distance (less than 10 minutes). I’m yet to try any of these, but will be in the Mercure Plaza this year (20 minute walk to the Messe). I love a walk in the morning, and it also makes me think twice about buying more than I can carry!

You can find an Essen Metro map here.

ippCentral Essen: The most common option is to stay in the town centre and travel to the Messe each day via the Metro (about five minutes once you’re on and moving). You can get on the U11 at the central station (Essen Hbf) and get off at Messe West/Sud Gruga.

Walking is another option, taking just over 30 minutes from the central train station – or up to 45 from some central hotels.

Large chain hotels including Ibis, Movenpick and Holiday Inn are all present near the station offering the typical big hotel experience, alongside many smaller, cheaper options.

I’ve enjoyed stays in both the Movenpick and Ibis – you simply know what to expect. But my one experience with a small budget hotel did not end well and I’ll avoid that option in future. Hotel breakfasts tend to be continental and overpriced. There are many bakeries in the town centre and I personally prefer to grab something on my way in to the halls each day.

Further afield: If you travel to Essen by car, or are on a holiday with non-gaming friends or partners, there are cheaper, more picturesque and more interesting locations to stay if you don’t mind travelling in each day. As mentioned above, Cologne and Dusseldorf are both less than an hour from Essen by rail and have much more to offer in terms of tourism.

Play: Essen Spiel itself

Essen balconyEssen Spiel is unlike any other big board game convention. Its all about retail, which means the vast majority of space is dedicated to taking your money, with small bits set aside to let you demo new releases. Don’t expect talks, competitions etc.

On the plus side, this makes it cheap. It’s only a few euros to get in each day, with a discount available for the whole four days – and additional discounts if you can buy in bulk, so its worth getting a group of you together (even if you make friends outside just to get the tickets). I’ll post prices nearer the time.

There is no – I repeat, NO – open gaming areas for you to play inside the Messe. Luckily the local hotels are very amenable to letting gamers use their often vast breakfast areas for gaming. People scuttle home from the Messe with their purchases, hurriedly read the rules over dinner and are in the hotel bars and restaurants playing a while later – and late into the night.

It’s actually a really nice part of the experience, once you get used to it. People are friendly and it’s usually easy to find a game, and I personally enjoy the idea of going shopping in the daytime and then playing my new purchases in the evening. All the big central Essen hotels are very amenable (I’ve played into the small hours at the Ibis, Movenpick and Holiday Inn), as are the smaller ones I’ve popped into to meet friends.

If you have heard talk of 10+ small halls that are a nightmare to navigate, this is in the past (at least for now). Due to refurbishment of the smaller halls, Essen Spiel currently uses the largest four halls in the Messe which makes it much easier to find your way around.

Wednesday to Sunday: When should you go?

  • Thursday and Friday: These are definitely the best days to go if you can travel over to Germany midweek. The halls are quieter, meaning you’ll have a better chance of sitting down at some demos – as well as picking up those hot titles that sell out in the first day or so (it happens every year).
  • Saturday and Sunday: Saturday is the day to avoid if you’re coming for the whole weekend, as people travel in from across Germany and its absolutely manic throughout the day. Sunday morning also tends to be busy, but it thins out a lot in the later afternoon. However don’t expect too many ‘last minute bargain’ rewards for hanging on until the end, as I’ve seen little evidence of it happening.
  • Wednesday: Since 2011 there has been an Essen Warm Up Day organised by Spiele Gilde. It costs 30 euros but is open 10am to 11pm and includes free food and non-alcoholic drinks all day. It’s a great opportunity to extend your stay and get to play some of the new releases a day before heading into Essen Spiel itself, while being easy to get to in the centre of Essen.
    Wednesday is also Essen press conference and manufacturer set-up day, so you’ll find plenty of gaming types in the city on the Wednesday evening – many toting new gaming swag picked up early from the halls. And even if you don’t want to do much after arriving, it’s worth coming on Wednesday just to be able to get into the Messe first thing on Thursday morning.

The new games

Essen is primarily about new releases, but you’d be amazed at how many companies fail to get enough copies to the show.

Much of this is blamed on production issues and shipping, but its not as if those are surprises in the board game industry. Anyway, the point is if you really want something you’re normally best off pre-ordering it.

Depending on the size of the manufacturer, pre-orders may be handled through a prepaid service via their website – or via names written on the back of a cigarette packet after sending the designer an email and keeping your fingers crossed. Either way, the best way to find out about them is directly via the website of each game you’re interested in – or more conveniently through Board Game Geek.

Each year the site runs an amazingly detailed Essen preview page which lists pretty much every game that’s coming out and any appropriate links. This is the 2014 link to give you an idea of what to expect – I’ll try to remember to come back and update it here when the new one lands (or please remind me nearer the time!).

If you are the type who wants to check out every game before you go, another great website is Essen Geek Mini. This takes the Board Game Geek list and lets you rank how interested you are in each game – and then brilliantly plots all the manufacturers onto printable maps, along with your games listed by rank. Geek heaven!

Language dependency can be an issue, as you’ll often find different versions in German and English, but also perhaps French, Polish and others. The biggest issue can be differences in pricing – German editions at the show are often cheaper, so it can be easy to grab one by mistake thinking you’re getting a bargain. And you might think there are thousands of copies of a game at the show – when there may only be a very small number in the language you need.

Another issues is demos – and how difficult they can be to get. While companies such as Days of Wonder have huge stands demoing a single game, many smaller companies – or those releasing multiple titles – have much less room. You may even find just a single demo table for a game you really want to try (or worse none at all).

While some booths will let you book a demo time, many won’t. In these situations you have the choice of waiting for a spot (a bit boring) or hoping for the best (less boring, almost guaranteed to be unproductive in terms of the demo). Your way of dealing with this is up to you – I just want to let you know so you won’t be (as) annoyed and disappointed!

The old games

Manhattan boxWhile Essen is largely about new titles, you’ll find a good number of secondhand games traders in the halls – as well as large sections dedicated to older discounted titles.

These can be brilliant for those of us outside of Germany who only ever see discounts in online stores, and have never seen a living, breathing secondhand board game shop!

But do be on your guard for the obvious pitfalls – the big two being missing pieces (for secondhand) and language dependency. If you’re thinking about picking up some titles, do your research and see if they’re language independent – and if so, whether the rules are freely available to download and print. If so, you’re golden.

You may find staff on the secondhand stands don’t have great language skills beyond German, while there can be a lot of individual games that are hard to sift through – or behind the counter where you can’t get at them. If there are specific titles/editions you’re after, its well worth printing images of the covers and taking them with you – its the simplest way past any language barriers.

I’ve found these stands most useful for older Spiel de Jahres winners, which get massive print runs in Germany when they win the award and many of which are still very popular today. You’ll find piles of old copies of games such as Elfenland, Manhattan, Tikal and Thurn and Taxis for 10-15 euros – all of which are language independent.

And finally… some other stuff

  • As well as board games, one of the halls is dedicated to other geek culture habits including comics (ithe Comic Action convention is included in your ticket), RPGs, miniature gaming, CCGs and even a bit of costume/LARPing. But these are squeezed into one hall and very much a small part of the overall show.
  • The food selection is far from brilliant, especially if you’re a healthy type. You should be able to find a beer, a sausage (apparently the currywurst is particularly good – I’ll report back this year!) or a pretzel – with varying degrees of cheese attached – all of which are actually excellent. But I’d suggest a good healthy breakfast pre-con and a proper meal on the way home!
  • I’d also suggest you bring cash (very few stands will accept cards and there aren’t many cash machines inside) and bring water – as well as wearing comfortable shoes. The convention space is massive, you’ll be on your feet a lot, and it can get pretty hot inside. Water and good shoes are essentials. On the plus side, Essen has great tap water so you’re quite safe filling up your bottle from the tap rather than spending a fortune on bottled water.

What have I missed?!

I want this guide to be as useful as possible, so please comment below or contact me directly if you have anything you think I should add or update. Cheers! (Thanks to Louise McCully and Christian Gienger for their contributions.)

* There are bigger conventions that include some board and card games, but Essen is comfortably the biggest that concentrates almost entirely on the hobby.

Game design: In search of a half decent football (‘soccer’) game concept, Part 1

SubbuteoBeyond the flicking genius of Subbuteo (pictured), the collective game design minds of the world have so far failed to create a compelling football game. But it must be possible.

The reason oft trotted out is that its impossible to emulate the excitement and energy of a team sport in which so much individual flair and energy is played out; while retaining the higher level of strategic thought that pre-match planning and management bring to each match.

But computer games have got around both of these issues, making either football management sims or fast-paced action games such as FIFA. But we have nothing of either that have made a splash in the board and card game arena. And what about skirmish board games and battle card games? How are they not emulating an exciting tactical situation with an underlying strategic edge?

Then there are commercial concerns. Hobby gamers have for years been earmarked as nerds and geeks only interested in basement games of fantasy battles and space ship combat. But the hobby is throwing off those shackles at a pretty decent rate now; surely there would be a big publisher ready to take a punt on a game with such huge crossover potential into the mainstream?

Football simulation problems: The pitch

sensible soccerAny sensible (pun intended) design conversation needs to start with the ground itself.

Minds immediately turn to hexes or quadrants, with each player represented with a meeple, card, detailed plastic minis (Kickstarted, natch) etc.

And so we run into our first problem: 22 players on the pitch. Controlling 11 people seems too many – especially when you take into consideration that only two or maybe three people will ever be directly affecting play. Positioning will become way too much of the game, making this very much a manager-level sim and losing too much of that all important feeling of energy.

Designers have of course gotten around this but tend to do so in one of two ways (and often both); which I have dubbed the Nintendo and Dilithium approaches:

  • The Nintendo way: Chibify the game, set it in the ‘street’ or the jungle or a school playground, and make it five-a-side – immediately alienating the vast majority of your original target audience and losing any semblance of ‘proper’ football in the process.
  • The Dilithium way: Give them swords! Make them robots! We can set it in the future or the past to get around those awkward offside rules and allow full body contact to make it exciting!! And then add EVEN MORE EXCITEMENT!!!

Note: There is absolutely nothing wrong with doing these things – it’s just not football.

In my mind, this situation harkens back to my original analogy of squad combat. That tends to have fewer than 11 pieces per side, and they can of course interact with each other far more often: that damnable ball is the problem. For me, this rules out the idea of a pitch, or board, or minis – sorry (we shall briefly pause to let the Kickstarter publishers slope out of the room).

Football simulation problems: The players vs the manager

BergkampThe real joy of football – as with many team sports – is that while both teams head out onto the pitch with a plan, set out by the manager and coaches, this needs to be executed by human beings: and with another bunch of human being trying to stop them.

Football is a chaotic sporting mash up of strategy and tactics defined by flawed individuals: and fans have an opinion on every single one of them. Players have strengths and weaknesses, both physical and mental, which are the absolute essence of the game. You can’t have a ‘proper’ football game without them.

It’s not easy to create a game system where 22 individuals will be different enough on paper to have a significantly varied effect on the outcome of the game. Where do you draw the line with stats? You can have attack, defence, midfield, goalkeeping – but what about stamina, temperament, ‘special powers’ – free kicks, penalties, leadership, flair…?

And that’s just two teams. Any football game worth its salt will want a good 8 teams to start with – and if things went well, more like 20+. That’s more than 200 players now. And what about referees, linesmen, pitch conditions, the effect of the fans?

And of course the manager. Beyond picking the team the manager should be having an effect on the pitch – will they encourage long ball, wing play, 4-4-2 or 3-5-2 – and what about substitutions, or reshaping the team after a sending off, or an injury? Oh yeah, I forgot about injuries. And can we really give up on the pitch idea completely?

Football simulation ideas (so far)

Brady top trumpA card game seems the obvious way forward. While dice feel like a good idea, the idea of random on top of random always turns me off in a game that should be at least 30 minutes long – and I feel a proper football game should go that distance or more.

To take it one more step, a collectible/living card game again seems obvious. Building a deck of 11 players chosen from a larger pool (perhaps 20 for a squad) would give the individuality required. Attack and defence stats may well be enough, with individual player ‘powers’ adding the all-important individuality.

These player cards would be bolstered with manager cards: tactics and special plays learnt on the training ground. And finally there can be situation cards, used to represent those moments you just can’t legislate for: the terrible tackle, the ‘bobble’, the amazing drive from 30 yards. And of course those contentious refereeing decisions.

I’m aware these three types of card are falling easily into stereotypes made so popular by the hugely successful Magic: The Gathering card game: the players are the ‘creatures’, manager cards the ‘enchantments’ and situation cards the ‘instants’. Frankly I’m comfortable with that, as I feel there will be divergence enough from this starting point.

The real challenge will be the elephant in the room: that bloody pitch. I’m thinking it could be represented by a single card or play matt, split into three simple areas – the two ends and midfield. A marker will show where the game is currently being played, with each turn ending with a battle for supremacy in the current area: a midfield or defensive win moves you forwards, while a win at your opponent’s end results in a chance.

But how will chances be resolved? Will there be some kind of cost to put cards out? And once out, how will they be removed from play – if at all? How about weather, or home advantage? All decision for another day.

For Sale: A four-sided game review

For Sale boxFor Sale is a light family card game designer by Stefan Dorra. It takes 20-30 minutes to play, accommodates three to six players well and can be picked up for well under £20.

As the name and box suggest this a game about buying and selling properties but don’t worry – there’s nothing to be scared of here, even if you don’t usually like auction/bidding games. As the game length suggests it’s not a brain burner: instead it’s light, fun and fast.

Inside the box you’ll find two decks of cards (properties and cash) and a set of coin tokens. Everything is high quality, the cards linen-finish and the tokens chunky, while the cartoon art on the property cards is really charming.

Teaching

For Sale round 1For Sale is a game of two halves, but both are simple to teach and learn. Even better you can teach each half when you get to it, giving players less to process and remember.

Everyone starts with a handful of coins and during round one these are spent to buy properties. Once all properties have been bought (every one will finish with the same amount) they’re sold for money in round two. The aim is to finish with as much money as possible.

Before each turn of round one a number of properties equal to the number of players is placed face up on the table. From their secret stash of coins players choose in turn to either up the current bid or take the lowest value card on show (and taking back half of any coins they’d bid so far). The ‘winning’ bid pays full price, but gets the best card.

Once all properties are bought, round two begins. This time a number of money cards equal to the number of players is placed face up on the table; players bid for them with the properties bought in round one. There is an identical number of property and money cards; each round players bid one of their properties and everyone flips them over at once (called a ‘blind bid’). You take a money card in ascending order, the best property taking the highest value money card.

The system is extremely elegant. All the property cards are valued differently (1-30) and there are two of each money card (two of each valued $0-15), meaning there is never any confusion over bids – while all the players get something each round. When all the properties are spent, you add up your money cards and see who won.

The four sides

For Sale componentsThese are me, plus three fictitious amalgams drawn from observing my friends, and their respective quirks and play styles.

  • The writer: While this may look like an overly simplistic game with an uninspiring theme (pretending to be an estate agent isn’t my idea of fun), For Sale is actually one of the best ‘filler’ games I’ve played. It ticks all the boxes: good player range, easy to teach, plays fast and keeps everyone involved throughout.
  • The thinker: I’m not prone to enjoying filler games as by their nature they tend to lack depth and strategy. If it were my choice I’d play something a more challenging, such as Hive or Blokus, but there’s no escaping the fact this is a well designed game and I’m happy to play when the occasion arises.
  • The trasher: You mean I get to buy and sell houses?! Goodie! But seriously there is some fun to be had with For Sale, as any bidding game is an opportunity for table talk. You can also try and psyche people out a bit in the second half and I’ve seen some real silly card-slapping-the-table action when the mood is good.
  • The dabbler: While I don’t like auction games, I do quite like this one as it has a few things going for it. First it’s great that you get something every round so never feel out of it or under pressure. Also the art is cute and for a game that plays ages 8+ that’s important – they’ve even gone the extra mile adding a different animal to each card for the younger ones (and the young at heart!) to find and talk about as you go.

Key observations

The most important thing to note is  this is an extremely highly regarded game. With more than 3,300 players giving this a comment and an ‘out of 10′ rating on Board Game Geek you have to get past 3,150 before you find rankings below 6.

Criticisms from those who really don’t like it label For Sale as “too simple” or “uninteresting” with “no hard decisions”; “too light”, or as just a “simple auction game”. To the wrong player For Sale will be all of these things, but as the numbers above show these people are the minority. I’d suggest avoiding this game only if you have a very severe reaction to one of these gaming ailments!

My only real issue, and it’s a small one, is price. The current edition is well produced and nicely packaged, but at 60 cards and 72 cardboard coins the price tag seems a little steep. It has been put in quite a large box to fit into Gryphon Games’ ‘Bookshelf Series’ but could live in a box half the size (and has previously). However similar games (such as recent release Diamonds) have a similar price point and I don’t see it as a barrier to entry.

Conclusion

For Sale round 2I was introduced to For Sale at a London on Board gaming meetup and fell for it on my first play. It went into my collection soon after and had regular plays for a long time after.

But in 2013 it didn’t see a single play, as my regular gaming groups didn’t really do old fillers; then in 2014 it returned to the table with a bang when I got involved in a local group which includes a lot of less rabid gamers. It has gone down a storm with gamers and newbies alike, rekindling my own enthusiasm for the game.

No game is truly a ‘must have’, as opinions and tastes vary so much, but For Sale would certainly be a contender for a top 10 ‘Swiss army knife’ of titles that would meet all your gaming needs. I’ve played a lot of fillers before and after, but very few have the staying power of this classic.

For more filler and family games check out my board game ‘Where to start‘ guide.

My Essen Spiel Wishlist 2014: The follow up

So, it’s time to compare before and after; to look back at my pre-Essen itinerary and see how many of the games I managed to get played – and how they were. Were my pre-Essen instincts sharp, or shambolic?

What did I get played from my pre-Essen ‘top 10’ wishlist?

First to FightBetween Essen and a London on Board trip to Eastbourne a week after my return, I’ve managed to get more than 20 Essen releases played – not bad. And that included seven of my pre-Essen top 10 ‘want to play’ list.

I unfortunately managed to miss out on Red 7 (sold out – but I could’ve got a copy if I’d remembered. Grrrr), Progress: Evolution of Technology (was always packed – want to try it) and Versailles (overheard a rules explanation and watched a bit of play, but wasn’t inspired – I’d still like to get a play).

Johari and El Gaucho featured in my ‘Biggest hits of Essen‘ report – while sadly Imperial Settlers, Amber Route and Madame Ching all featured in the ‘misses’ section of the same post – so I won’t go over that ground again here.

Which leaves two. If I was a lot newer to gaming, or didn’t have many gateway games, I probably would’ve come home with a copy of Mangrovia. It’s a really pretty and well designed light euro game with an interesting turn order/action selection mechanism – but not enough else to make it stand out for more experienced gamers.

But I did pick up First to Fight after a fun demo with one of the design team and one of his friends. My initial concern was, will it work? And if I’m honest after two plays I’m still not 100% sure. But I’ve seen enough so far, and had enough fun, to warrant it having been my one slightly risky buy.

What did I purchase from my ‘will purchase’ list?

Romans Go Home boxI had six games and four expansions on my ‘will purchase’ list, and managed to come home with all but two of them.

Sadly Pocket Imperium didn’t make it to Essen, while I was only going to buy Bakerspeed as a set with Paititi if they had a deal on – which they didn’t, so I stuck with just getting the latter (I’ve downloaded the English rules but not yet played it).

Romans Go Home and Sail to India were games I’d played before and wanted my own copy of. Both came home with me, and both were better than expected for different reasons: Sail to India was free (thanks AEG!), while the new rules and art for Romans Go Home made it even better than the version I’d played previously. Again, Steam Donkey featured in my ‘biggest hits’ post linked above.

The expansions for CV, Can’t Stop, Snowdonia and Stone Age all made it into the suitcase too, but none of them have been played yet – too many hot new releases to get through first! But as they add to four of my favourite games it’s only a matter of time before they hit the table (although I helped test the Snowdonia one, so I’ve played it really).

Did any ‘also rans’ turn out to be winners?

Kembles Cascade boxI mention a raft of other games at the bottom of my Essen preview post, which turned out to be a right mixed bag. Unfortunately I managed to totally miss The Battle at Kemble’s CascadeLeague of Hackers, Ucho Krola and The Golden Ages but had more luck tracking down the rest.

Having had a rules run-through or watched demos of Planes, Essen 2013 the Game and Onward to Venus I didn’t pursue them any further; none of them seemed like my kind of games and with limited time I set my sites elsewhere. I also ignored La Isla as I know several people who bought it; hopefully I’ll get a game in soon.

The big pluses from this list were Deus and Ancient Terrible Things – but without wanting to sound like a broken record,  may I refer the honourable gentlefolk to the ‘core blimey Charlie weren’t they marvellous’ post linked above. The latter I picked up at the show, the former will be mine by Christmas or I may blub like a baby.

Office 21 is actually pretty charming and if I didn’t already have Love Letter in the ‘five minutes of nonsense’ category I’d probably grab a copy. The choices seem a little more involved – you have three cards instead of two, for a start, with no cards that force you to do anything. But at the same time the right move is usually pretty obvious – and games can be brutally, ridiculously short and scripted (but in a funny way).

Castles of Mad King Ludwig boxWhich just leaves The Castles of Mad King Ludwig – the game I’ve been most on the fence about from this year’s crop of releases.

One thing’s for certain – it’s a good game. The rules are simple, the puzzley aspects engaging and it seems well balanced. It doesn’t outstay its welcome, has plenty of variety and keeps you guessing to the end. And I won my first play – and I’d play again. So why don’t I like it?

Personally, my problem with Ludwig lies in the one interactive element of the game. If you’re start player (which changes clockwise each turn), you get to draw some random tiles and place them in an order of your choosing – going up gradually in cost, with you getting all the profit from the round when other player’s buy things.

It’s important to say here that the game needs this kind of element – otherwise it would be a totally heads-down solo experience. However, the final result just doesn’t work for me. First, I didn’t enjoy making these decisions when they came to me. Second, I felt that poor decisions by other players probably led to my victory – putting tiles in cheap spots that gave me easy points. This didn’t feel satisfying, but is certainly a personal opinion – many enjoyed it and I’d certainly recommend people to play it and make their own minds up.

Essen Spiel wishlist 2014: My board and card game top 10

spiel-14With Essen Spiel 2014 just a week away, I thought it was time to boil my wishlist down to a Top 10 games of interest – or games I’m hoping to demo/play in Germany with a view to purchasing. But before that, here’s what I will be purchasing if available:

  • Steam Donkey: A card game about building a Victorian seaside resort – steam punk style. How can I possibly resist?
  • Bakerspeed and Paititi: This year’s offerings from the Austrian Board Game Museum; cheap prices and a good cause equals no-brainer.
  • Romans go Home, Sail to India and Pocket Imperium: All relatively cheap games I’ve played before and really enjoyed.
  • Expansions for CV, Can’t Stop, Snowdonia and Stone Age: All current favourites of mine where a bit of extra variety can’t hurt.

First to FightBeyond these, it was a small task of whittling the other 500 games being released this year (yes, 500) down to 10. Did I read about each and every one of them? No. I’d say I’m not that sad but in truth, given unlimited time, I probably would’ve done. However instead I whittled many away using the following criteria:

  • Any mention of: dexterity, party, children, trivia, real-time, humour: I know I know, I’m absolutely NO fun.
  • Games that don’t play two-player, or that go more than two hours: I like a lot of these games, and seek to play them, but the ones I own sit largely unplayed on my shelves.
  • Abstract, anime, horror/zombie, war games: These are usually a big turn off for me, with the occasional exception – so if a classic rises to the top I’ll look into it, but won’t seek them out as new releases.
  • Games with an Essen listed price of 50+ euros: Yup, I’m tight as well as absolutely no fun. Why are you still reading this?

That left me with 100 or so games, but many more fell by the wayside after watching videos or reading rules, as they brought nothing new to the party. It’s a sad truth that, right now, it’s so easy to publish board games everyone seems to be doing it (even me). It doesn’t push the bar up – it just puts loads more games into the middle ground.

The 10 games I most want to play at Essen

  1. MangroviaMangrovia (€30): This family game looks lovely and has an interesting action choice mechanism, plus a good price. I have high hope for it from the rules, but do want to see it in action.
  2. Red 7 (€10): This looks like a great light filler and at this price it’s an almost definite purchase. It has a really clever mechanism, where you have to take the lead to stay in the round on every turn.
  3. Progress: Evolution of Technology (€35): A hand management card game which is all about building tech trees – something I’ve always loved in both board and computer games. Some doubts raised about replayability.
  4. First to Fight (€37): The Puerto Rico action selection mechanism is one I like; and this adds an interesting scoring mechanism where you’re all using the same cards to try and fulfil missions. But will it work? Could go either way.
  5. Imperial Settlers (€40): Great art, tableau building and a little bit of messing with other players puts this high on my want to try list – but it’s essentially a card game in a big box with a big price tag.
  6. El Gaucho (€27): Worker placement and set collection, dice and tiles, nice components and art style, reasonable price – many boxes ticked. But there are a lot of euros out there – will this stand out enough?
  7. Amber RouteMadame Ching (€30): This looks an interesting mix of styles, but essentially it’s a 30 euro card game which seems a bit steep for the level of gameplay involved. But if it’s fun enough, it may be worth it.
  8. Amber Route (€tbc): While I’ve enjoyed the app on iOS it is much too luck dependent; but the board game version looks to have made significant changes.
  9. Johari (€25): A low price, set collection and simultaneous action selection pushed this way up my wishlist; but I’m not sure it’s going to be that interesting to actually play – hence needing a demo.
  10. Versailles (€30): Yet another interesting looking family level worker placement game, but with the usual caveats – will it be interesting enough to stand out from the crowd? I have my doubts.

More details of all of these can be found on my Essen Geek List over at Board Game Geek. While I’d be totally remiss if I didn’t mention the fantastic Essen Geek Mini tool that helped me plough through all of this year’s releases.

Just behind those were: Deus, Planes, Essen 2013 the Game, The Battle at Kemble’s Cascade, Office 21 and League of Hackers. And then there was Ancient Terrible Things, Castles of Mad King Ludwig, Onward to Venus, The Golden Ages, La Isla, Ucho Krola

It’s going to be a long week!