It was launched at the UK Games Expo 2015 in Birmingham with very little fanfare, but if you like co-ops it may well be worth your attention.
The game plays two-to-four players but like most co-ops it is equally good for solo play. Games shouldn’t take an hour with four and with one/two it’s possible to play in 30 minutes – or, if things go badly wrong, it could be considerably less!
The components are a slightly mixed bag – but mostly top notch. The box and board and beautifully illustrated while the 60 cubes (the bad guys), three custom dice and 20 fortification tokens are industry standard. It’s just a shame the cheap plastic turn marker and player pawns look like they’re our of an old budget copy of ludo… But as the game retails at about £25 it still represents solid value.
In terms of theme, Lembitu represents a tough time in Estonian history – the Livonian Crusade – when the nation was being conquered on all sides by the Danish, the Crusaders and Novgorod (an ancient part of Russia), with only their Leader, Lembitu, standing in the way of them all. That’ll be you then.
In truth, for most of us, the theme is non existent. You can use the three different coloured cubes as you like as each army is essentially the same – one hit, one kill – while your cheap plastic player pawn has all the personality it deserves (ie, none). This is an abstract co-operative game, unless you’re being taught it by an Estonian history teacher.
Game play itself is straightforward and once you get up to speed things rocket along – but unfortunately the rulebook isn’t the greatest and there is also an error on the board itself: pretty inexcusable, especially as it isn’t mentioned in the rulebook/in the box as an addendum (I’ve highlighted all the problems/answers I had in a Lembitu rules FAQ over at Board Game Geek).
Turns are super simple. First, move the turn marker to the next space (nice and clear around the edge of the board) – this will indicate if it’s your turn, an enemy turn or a rebellion, or if you’ve won (by getting back to the start of the track). Winning is simply a case of surviving long enough to get once around the board.
The bad guys move, Defenders of the Realm or The Dwarves style, from the the edge of the board towards your capital along pre-set paths. If they make it, or you run out of defenders (players), you’ve had it. On each bad guy turn, roll the three dice and add attackers (0-2) to the six enemy routes (each dice has two symbols). If the enemy arrive on a space with a player, that player is dead – if they arrive in the capital, game over.
Player turns see each player act, with the amount of actions determined by player number (always a total of 12, so 6 each in a two-player game). An ‘action’ is either move a space, kill one enemy or place an uprising token. That’s it – no dice, no player powers, no items.
You’ll notice the board is in three colours: there are three ‘rebellion’ spaces around the edge of the board, each matching one of these colours. When you hit these spaces, any uprising tokens on towns of the same colour become a fortification – slowing the enemy. In certain strategic positions, these are super useful – but hard to pull off.
The four sides
- The writer: I shouldn’t like Lembitu. It is structurally naive, the luck can be unmitigable and at times it feels like a prototype rather than a product. But what can I say? It’s fun. Chaos be damned – it’s so simple to set up and quick to play that if everything goes to hell you can set up and go again. And on the plus side, different player numbers makes for a very different game each time precisely because it hasn’t been balanced to within an inch of its life.
- The thinker: In one way I like the stripped, abstract nature of Lembitu: it has an elegance that is easy to appreciate. But those dice rolls are just too swingy, especially near the end when the enemy is getting two turns to your one. I need to feel good play will be rewarded more often than not and here I think too many games will be decided by the dice. But I wouldn’t turn down a game if others were keen.
- The trasher: I found this one to be fun, in a crazy dice fest kind of way. The game moves at a great pace and we actually played back-to-back games after getting thrashed the first time – which is quite rare for our group. That said the abstract nature means I probably wouldn’t miss it if we never played again: it just lacked a bit of personality, despite some fun pics on the board. If only those sea monsters were actually in the game!
- The dabbler: While I didn’t hate Lembitu, I was quickly shouted out of the picture by more alpha gamers. Beyond the colour of your plastic piece you have no personality, no power, no distinction – it’s even worse than Pandemic in that respect. I ended up being given a quiet bit of the board and just plugged away, doing what I was told. It was fun watching things unfold, but I didn’t really feel part of it and the theme was totally lost on me.
Lembitu is definitely a game that will irk the pampered modern gamer. With no player powers or hidden information/traitors there is plenty of room for a gobby ‘alpha gamer’ to take control and order everyone around; while a player taking a risk could well be eliminated in the first round and have to sit the rest out.
The latter isn’t much of an issue though, precisely because of the first point: no player powers. You don’t feel invested in your character, but you do feel invested in winning – in solving the puzzle. Moving a particular piece feels like an arbitrary part of proceedings.
In addition the setup dice rolls (showing how far the enemy troops have encroached before play begins) can swing from practically non-existent to outside the city gates – and there is no official way to make a game ‘beginner’ or ‘hard’ difficulty. It’s down to luck. But again this just makes it feel like a different puzzle to solve each time.
But from a design perspective there is a lack of cleverness or subtlety behind the scenes, which will annoy some: it has a microgame ethic, but not a microgame size or price point. But others will appreciated the stripped-back vibe that moves so far back away from the fiddlyness of games such as Dead of Winter and Robinson Crusoe.
And a minor point: I would’ve liked a token to represent the ‘free move’ you get after moving on a road. The extra action makes sense, showing you made more progress by moving on an established route, but when you’re trying to work out your moves it can get a bit much when another slightly different action is thrown into the mix.
Friend and fellow game designer David Thompson described it perfectly as a ‘guilty pleasure’: a game that ignores recent conventions and suffers mechanically because of it, but has enough old skool charm to carry it off and be a success regardless.
Bad luck can, and sometimes will, see you lose – while on other days you’ll quite easily coast to victory. If you can’t take that from a game, walk away now. But quite often the game sits on that tightrope edge between victory and defeat – where that risky move could give you the edge or lead you to certain doom.
This is something I’ve heavily criticised in my review of Dead of Winter, so why do I find it OK here? Simple – this is a puzzle that sets up in two minutes and does not have me role-playing or investing in theme: you can set up and play a game of Lembitu in the time it takes to get Dead of Winter out of the box.
Lembitu will be on sale at Essen 2015 and if you like puzzley co-ops I’d recommend checking it out. But if you roll lots of doubles during setup, don’t expect anything other than a hideous spanking…
* I would like to thank designer Aigar Alaveer for providing a copy of the game for review.